Curated by Massimo Bignardi, the exhibition retraces some of Agostino Ferrari’s key moments in his work, from 1963 to the present day.
“In the sign,” Martina Corgnati noted, speaking of his works from the 1960s, “Ferrari has found a means to always be himself, autonomous and free, yet also to exist within history, in constant relationship and participation with his own time.”
The exhibition features a selection of 13 works, ranging from Racconti e Pagine (1963/1965) to Nuovi Linguaggi (2026), passing through Teatro del segno (1972), Maternità (1998-2006), and Oltre la soglia (2005-2010).
Four pieces from his ceramic research complete the exhibition.